{"product_id":"dance-anatomy-and-kinesiology-3rd-edition-epub","title":"Dance Anatomy and Kinesiology 3rd Edition epub","description":"\u003c!-- split --\u003e\u003cul class=\"tabs\"\u003e \u003cli\u003e\u003ca href=\"#tab-description\" id=\"display-description\"\u003eDescription\u003c\/a\u003e\u003c\/li\u003e \u003cli\u003e\u003ca href=\"#tab-tableofcontents\" id=\"display-tableofcontents\"\u003eTable of Contents\u003c\/a\u003e\u003c\/li\u003e \u003cli\u003e\u003ca href=\"#tab-author\" id=\"display-author\"\u003eAuthor\u003c\/a\u003e\u003c\/li\u003e \u003cli\u003e\u003ca href=\"#tab-ancillaries\" id=\"display-ancillaries\"\u003eAncillaries\u003c\/a\u003e\u003c\/li\u003e \u003cli\u003e\u003ca href=\"#tab-excerpt\" id=\"display-excerpt\"\u003eExcerpts\u003c\/a\u003e\u003c\/li\u003e \u003c\/ul\u003e\u003cdiv id=\"tab-description\" class=\"tab-content\"\u003e Karen Clippinger’s first two editions of \u003ci\u003eDance Anatomy and Kinesiology\u003c\/i\u003e were hailed as the standard in the field. This third edition builds on that success by retaining its scientific perspective while making the material even more accessible to students and teachers and by bringing in a significant amount of new material.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eWhat’s New?\u003c\/b\u003e\u003cbr\u003e In an effort to further enhance learning, \u003ci\u003eDance Anatomy and Kinesiology\u003c\/i\u003e offers a wealth of new material and tools to make this edition the best yet: \u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eNearly 300 anatomical illustrations—now in full color\u003c\/b\u003e to clearly show muscle movements and technique considerations, setting the book apart from others in its field \u003c\/li\u003e\n\u003cli\u003e A \u003cb\u003enew introductory chapter\u003c\/b\u003e to cover basic terminology all in one place \u003c\/li\u003e\n\u003cli\u003e A \u003cb\u003enew recurring Understanding Check element\u003c\/b\u003e that helps students demonstrate their grasp of the material before moving on \u003c\/li\u003e\n\u003cli\u003e An \u003cb\u003eupdated suite of online instructor and student ancillaries\u003c\/b\u003e to support the text \u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eNew interactive lab activities\u003c\/b\u003e delivered online through HK\u003ci\u003ePropel\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eMore diverse dance styles\u003c\/b\u003e addressed throughout the book and represented in photographs \u003c\/li\u003e\n\u003c\/ul\u003e The instructor guide features a sample syllabus and course outline, chapter outlines, lab assignments, and sample tests. A presentation package provides expanded chapter slides with more in-depth texts and additional graphics, now in color, that reinforce each chapter’s key points.\u003cbr\u003e\u003cbr\u003e Through HK\u003ci\u003ePropel\u003c\/i\u003e, students have access to interactive Understanding Check activities, flash cards, practice quizzes, and 19 video clips that demonstrate technique and offer correction guidance.\u003cbr\u003e\u003cbr\u003e The final chapter is revised to provide a summary and applications, including more practical content in the form of summary figures or tables for bones, joints, muscle actions, and alignment evaluation, as well as sample mat exercises for dance conditioning. And throughout the book, Clippinger has updated content to simplify, add more practical material, and share best practices for injury prevention and rehabilitation.\u003cbr\u003e\u003cbr\u003e\u003cb\u003ePrimary Focus\u003c\/b\u003e\u003cbr\u003e While much is new in this third edition, the book retains its emphasis on presenting the anatomical and kinesiological material that is essential for dancers to understand. The text includes descriptions of joint structure, key muscles, movement analysis, sample strength and flexibility exercises, common alignment problems, select joint mechanics, and special considerations for dance for each region of the body.\u003cbr\u003e\u003cbr\u003e The new edition still features the Concept Demonstration and Dance Cues special elements. The former provides movement experiences for dancers to better understand potentially difficult concepts, while the latter helps the dancer reflect on the anatomical basis of commonly used cues used in teaching dance technique.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eEmpowers Instructors and Dancers\u003c\/b\u003e\u003cbr\u003e This new edition of \u003ci\u003eDance Anatomy and Kinesiology\u003c\/i\u003e will give teachers a clearer picture of the anatomical and kinesiological factors that aid in generating technique cues and identifying technique problems, and it will help them become more effective and empower dancers to realize their potential and artistic vision.\u003cbr\u003e\u003cbr\u003e Note: A code for accessing HK\u003ci\u003ePropel\u003c\/i\u003e is included with this ebook.\u003ch4\u003eAudience\u003c\/h4\u003eTextbook for undergraduate and graduate courses in anatomy, kinesiology, technique, conditioning, or injury prevention. Reference for dance science professionals, dance instructors, dancers, Pilates instructors, and Pilates enthusiasts.\u003c\/div\u003e\u003c!--end tabDescription--\u003e\u003cdiv id=\"tab-tableofcontents\" class=\"tab-content\"\u003e \u003cb\u003eChapter 1.\u003c\/b\u003e Fundamental Anatomical Terms for Understanding Movement\u003cbr\u003e Positional and Directional Terms\u003cbr\u003e Rotary Motion, Anatomical Planes, and Axes\u003cbr\u003e Joint Movement Terms\u003cbr\u003e Summary\u003cbr\u003e\u003cbr\u003e\u003cb\u003eChapter 2.\u003c\/b\u003e The Skeletal System and Its Movements\u003cbr\u003e Bone Composition and Structure\u003cbr\u003e The Human Skeleton\u003cbr\u003e Classification and Structure of Joints\u003cbr\u003e Joint Mechanics in Functional Movement\u003cbr\u003e Summary\u003cbr\u003e\u003cbr\u003e\u003cb\u003eChapter 3.\u003c\/b\u003e The Muscular System and Its Movements\u003cbr\u003e Skeletal Muscle Properties\u003cbr\u003e Microscopic Structure of a Muscle Fiber and Muscle Contraction\u003cbr\u003e Muscle Architecture\u003cbr\u003e Muscle Attachments to Bone\u003cbr\u003e Contribution of Connective Tissue to Muscle Behavior\u003cbr\u003e Muscles, Levers, and Rotary Motion\u003cbr\u003e Types of Muscle Contraction and Torque\u003cbr\u003e Muscular Considerations in Functional Movement\u003cbr\u003e Muscles and Movement Analysis\u003cbr\u003e Summary\u003cbr\u003e\u003cbr\u003e\u003cb\u003eChapter 4.\u003c\/b\u003e The Spine\u003cbr\u003e Bones and Bony Landmarks of the Spine\u003cbr\u003e Joint Structure and Movements of the Vertebral Column\u003cbr\u003e Description and Functions of Individual Muscles of the Spine\u003cbr\u003e Muscular Analysis of Spinal Movements\u003cbr\u003e Ideal Spinal Alignment and Common Deviations\u003cbr\u003e Spinal Mechanics\u003cbr\u003e Special Considerations for the Spine in Dance\u003cbr\u003e Spine Injuries in Dancers\u003cbr\u003e Summary\u003cbr\u003e\u003cbr\u003e\u003cb\u003eChapter 5.\u003c\/b\u003e The Pelvic Girdle and Hip Joint\u003cbr\u003e Bones and Bony Landmarks of the Hip Region\u003cbr\u003e Joint Structure and Movements of the Pelvic Girdle\u003cbr\u003e Joint Structure and Movements of the Hip\u003cbr\u003e Description and Functions of Individual Hip Muscles\u003cbr\u003e Muscular Analysis of Hip Movements\u003cbr\u003e Alignment and Common Deviations of the Hip Region\u003cbr\u003e Pelvic and Hip Mechanics\u003cbr\u003e Special Considerations for the Hip Region in Dance\u003cbr\u003e Hip Injuries in Dancers\u003cbr\u003e Summary\u003cbr\u003e\u003cbr\u003e\u003cb\u003eChapter 6.\u003c\/b\u003e The Knee and Patellofemoral Joints\u003cbr\u003e Bones and Bony Landmarks of the Knee Region\u003cbr\u003e Joint Structure and Movements of the Knee\u003cbr\u003e Description and Functions of Individual Knee Muscles\u003cbr\u003e Muscular Analysis of Knee Movements\u003cbr\u003e Alignment and Common Deviations of the Knee\u003cbr\u003e Knee Mechanics\u003cbr\u003e Structure and Movements of the Patellofemoral Joint\u003cbr\u003e Patellofemoral Alignment and the Q Angle\u003cbr\u003e Patellofemoral Mechanics and Compression Forces\u003cbr\u003e Special Considerations for the Knee Region in Dance\u003cbr\u003e Knee Injuries in Dancers\u003cbr\u003e Summary\u003cbr\u003e\u003cbr\u003e\u003cb\u003eChapter 7.\u003c\/b\u003e The Ankle and Foot\u003cbr\u003e Bones and Bony Landmarks of the Ankle and Foot\u003cbr\u003e Joint Structure and Movements of the Ankle and Foot\u003cbr\u003e Description and Functions of Individual Ankle–Foot Muscles\u003cbr\u003e Muscular Analysis of Ankle–Foot Movements\u003cbr\u003e Alignment and Common Deviations of the Ankle–Foot\u003cbr\u003e Ankle–Foot Mechanics\u003cbr\u003e Special Considerations for the Ankle and Foot in Dance\u003cbr\u003e Ankle and Foot Injuries in Dancers\u003cbr\u003e Summary\u003cbr\u003e\u003cbr\u003e\u003cb\u003eChapter 8.\u003c\/b\u003e The Upper Extremity\u003cbr\u003e Bones and Bony Landmarks of the Shoulder Complex\u003cbr\u003e Joint Structure and Movements of the Shoulder Girdle\u003cbr\u003e Joint Structure and Movements of the Shoulder\u003cbr\u003e Description and Functions of Individual Muscles of the Shoulder Complex\u003cbr\u003e Muscular Analysis of Movements of the Shoulder Complex\u003cbr\u003e Alignment and Common Deviations of the Shoulder Complex\u003cbr\u003e Mechanics of the Shoulder Complex\u003cbr\u003e Bones, Joint Structure, and Movements of the Elbow Joint\u003cbr\u003e Description and Functions of Selected Individual Elbow Muscles\u003cbr\u003e Muscular Analysis of Elbow Movements\u003cbr\u003e Alignment and Common Deviations of the Elbow\u003cbr\u003e Bones, Joint Structure, Movements, and Muscles of Selected Other Upper Extremity Joints\u003cbr\u003e Special Considerations for the Upper Extremity in Dance\u003cbr\u003e Upper Extremity Injuries in Dancers\u003cbr\u003e Summary\u003cbr\u003e\u003cbr\u003e\u003cb\u003eChapter 9.\u003c\/b\u003e Summary and Applications\u003cbr\u003e Structure, Alignment, and Mechanics of Key Joints\u003cbr\u003e Key Muscles and Their Movements\u003cbr\u003e Sample Conditioning Exercises\u003cbr\u003e Observation and Corrective Measures for Key Alignment and Technique Problems\u003cbr\u003e Anatomical Movement Analysis Schema for Whole-Body Movements\u003cbr\u003e Sample Anatomical Movement Analysis with Research Supplements\u003cbr\u003e Dance Movement Cues\u003cbr\u003e Summary\u003c\/div\u003e\u003c!--end tabTableOfContents--\u003e\u003cdiv id=\"tab-author\" class=\"tab-content\"\u003e \u003cb\u003eKaren Clippinger, MSPE,\u003c\/b\u003e received her master’s degree in exercise science from the University of Washington in 1984. She is a professor emerita at California State University, Long Beach (CSULB), where she taught functional anatomy for dance and dance science courses. She spearheaded the development of the bachelor’s degree in dance (option in dance science). Outside of CSULB, she taught anatomy or kinesiology for dancer credit courses at University of Calgary (2000), Scripps College (1999), and UCLA (1995-1998).\u003cbr\u003e\u003cbr\u003e Prior to her academic career, Clippinger worked as a clinical kinesiologist for 19 years, including at Loma Linda University Medical Center, where she helped develop the medical program for performing artists. She has worked with hundreds of dancers and performers, including members of Pacific Northwest Ballet, Joffrey Ballet, Mark Morris Dance Group, Bill Evans and Company, Alwin Nikolais, and Cirque du Soleil. Clippinger also consulted for the U.S. Weightlifting Federation, U.S. Race Walking Team, California Governor's Council on Physical Fitness and Sports, and the Danish Wounded Warriors Project.\u003cbr\u003e\u003cbr\u003e Clippinger is a renowned international presenter who has given more than 450 presentations related to kinesiological considerations in Pilates, dance, and fitness. Her many dance presentations include faculty in-services for Cornish College of the Arts, Pacific Northwest Ballet, and the Royal Danish Ballet as well as presentations for dance students at the American Dance Festival, Texas A\u0026amp;M, University of Calgary, and Winnipeg Contemporary Dancers.\u003cbr\u003e\u003cbr\u003e Clippinger has written numerous articles, three chapters, and the second edition of this text. She coauthored \u003ci\u003ePilates Anatomy\u003c\/i\u003e with Rael Isacowitz. She served as a founding coeditor in chief of \u003ci\u003eJournal of Dance Medicine and Science\u003c\/i\u003e (1996-2005) and in 2021 received a Lifetime Achievement Award from the International Association for Dance Medicine and Science.\u003c\/div\u003e\u003c!--end tabAuthor--\u003e\u003cdiv id=\"tab-excerpt\" class=\"tab-content\"\u003e \u003ca class=\"alsoAvailableAs\" href=\"\/blogs\/excerpt\/deep-knee-flexion\"\u003eDeep Knee Flexion\u003c\/a\u003e\u003cbr\u003e\u003ca class=\"alsoAvailableAs\" href=\"\/blogs\/excerpt\/muscular-analysis-of-spinal-movements\"\u003eMuscular Analysis of Spinal Movements\u003c\/a\u003e\u003cbr\u003e\u003ca class=\"alsoAvailableAs\" href=\"\/blogs\/excerpt\/positional-and-directional-terms\"\u003ePositional and Directional Terms\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003ca data-fancybox class=\"fancybox\" data-fancybox-group=\"gallery\" href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1281\/4359\/files\/Closed_and_Open_Kinetic_Chain_Movements.jpg?v=1741349930\" alt=\"\"\u003e\u003cimg class=\"sample-content-thumbnail img-responsive\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1281\/4359\/files\/Closed_and_Open_Kinetic_Chain_Movements.jpg?v=1741349930\" alt=\"\"\u003e\u003c\/a\u003e\u003ca data-fancybox class=\"fancybox\" data-fancybox-group=\"gallery\" href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1281\/4359\/files\/Release_and_Recover.jpg?v=1741349964\" alt=\"\"\u003e\u003cimg class=\"sample-content-thumbnail img-responsive\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1281\/4359\/files\/Release_and_Recover.jpg?v=1741349964\" alt=\"\"\u003e\u003c\/a\u003e\u003ca data-fancybox class=\"fancybox\" data-fancybox-group=\"gallery\" href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1281\/4359\/files\/Movements_of_the_Spine.jpg?v=1741349999\" alt=\"\"\u003e\u003cimg class=\"sample-content-thumbnail img-responsive\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1281\/4359\/files\/Movements_of_the_Spine.jpg?v=1741349999\" alt=\"\"\u003e\u003c\/a\u003e\u003ca data-fancybox class=\"fancybox\" data-fancybox-group=\"gallery\" href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1281\/4359\/files\/Movement_Analysis_of_Curl_Up.jpg?v=1741350033\" alt=\"\"\u003e\u003cimg class=\"sample-content-thumbnail img-responsive\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1281\/4359\/files\/Movement_Analysis_of_Curl_Up.jpg?v=1741350033\" alt=\"\"\u003e\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003ca data-fancybox class=\"vimeo\" href=\"https:\/\/vimeo.com\/905703922?;byline=0;portrait=0\"\u003e\u003cimg class=\"img-responsive img-video\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1281\/4359\/files\/9781718214408_Vimeo_video_0_a3d5a4af-cb43-4de1-b68d-1dd88023063e.jpg?v=1741350068\" alt=\"-video thumbnail\"\u003e\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"https:\/\/vimeo.com\/905703922\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\u003c!--end tabExcerpt--\u003e\u003cdiv id=\"tab-ancillaries\" class=\"tab-content\"\u003e \u003cp\u003eAll ancillaries are free to adopting instructors through \u003ca href=\"\/pages\/ancillary-materials\" target=\"_blank\"\u003eHK\u003ci\u003ePropel\u003c\/i\u003e\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eInstructor guide.\u003c\/b\u003e Includes a sample syllabus and course outline, chapter outlines, lab assignments, and sample tests.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePresentation package.\u003c\/b\u003e Features more than 600 PowerPoint slides of text and graphics from the book that can be used for class discussion and presentation. The slides contain nearly 300 pieces of art and over 100 photos. The slides in the presentation package can be used directly within PowerPoint or printed to make handouts for students. Instructors can easily add, modify, and rearrange the order of the slides.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eInstructors also receive access to all student materials in HK\u003ci\u003ePropel\u003c\/i\u003e.\u003c\/b\u003e For \u003ci\u003eDance Anatomy and Kinesiology, Third Edition\u003c\/i\u003e, this includes interactive art and table activities, video clips, practice quizzes with automatic feedback, and flash cards.\u003c\/p\u003e\n\u003c\/div\u003e\u003c!--end tabAncillaries--\u003e","brand":"Karen Clippinger","offers":[{"title":"Ebook with Online Resource","offer_id":43522426273866,"sku":null,"price":96.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1281\/4359\/files\/9781718200647.jpg?v=1777343123","url":"https:\/\/us.humankinetics.com\/products\/dance-anatomy-and-kinesiology-3rd-edition-epub","provider":"Human Kinetics","version":"1.0","type":"link"}